ideias de rua

23 de maio de 2017

AKACORLEONE - STREET ART - PORTUGAL

Chama-se Pedro Campiche (akacorleone), tem 26 anos e trabalha como designer gráfico e ilustrador em Caldas da Rainha. Prefere fazer os trabalhos à mão a usar o computador. Por exemplo: recorreu apenas a massa de modelar e a figuras em miniatura para criar uma ilustração para a campanha recente de uma operadora de telecomunicações móveis portuguesa. "Num mundo baseado em computadores, é importante preservar um estilo e uma estética artesanal", diz o ilustrador no blogue pessoal. Os trabalhos seleccionados para esta galeria são um exemplo do modo como tanto a "street art" e o design dos anos sessenta influenciam a obra de akacorleone. "Oh não, ele é outro designer com uma influência dos 'graffiti'? É isso mesmo, pintar paredes e fugir de cães também me deu a obsessão pela tipografia e pelas cores", contou o artista num e-mail ao P3.

by jornal público

WORTH LESS.
COLLAGE SERIES. 2015

THE END.
COLLAGE SERIES.
mixed media collage, 2015.
signed and framed.
100 x 70 cm.
currrently shown at Underdogs Public Art Store x Montana Lisboa.

DUALITY.
RAW SERIES
acrylic and graphite on raw linen canvas, 2015.
80 x 80cm

FAMILIAR • UNKNOWN
Acrylic & graphic pens on paper.
65x50cm / unique piece.
2016

25 DE ABRIL SEMPRE.

THE GIANT FROM PORTUGAL Sport Lisboa e Benfica is 113 years old today!

RISO COLLAGE II.
2 color risograhy limited edition print.
42x30cm / 2016.
Signed and numbered.

Adeus Sr. João Manuel Serra.

THE LISBOANS.

pedro.campiche@gmail.com

www.akacorleone.com

22 de maio de 2017

JONAS FISCH - PINTURA - SUÉCIA

Born in a small fisherman's village in southern Sweden, contemporary artist Jonas FISCH discovered his love for drawing and painting at a young age and was inspired to pursue his passion by renowned artist and grandmother Ann-Marie Sjögren. His works can be seen in private collections around the world FISCH currently resides in Los Angeles.

ARTIST STATEMENT

As a fundamentally introspective person I have an explosive need to express and communicate my innermost rays, reflections and shadows. The brush allows me to explore my own subconscious, to examine, confront and process my innermost feelings. I usually don't have a preconceived vision, but rather a strong idea or a general notion of what I want to create. I put a lot down,

I take a lot away, put some more down then take some more away. Sometimes it's past or present events that become vibrant, buzzing commentary on society - expressed in figures, words and shapes. Other times it's personal experiences and emotions that flood my mind and drip onto the canvas. I try and not to judge or censor what comes up and at a certain point the painting comes alive, takes on a life of it's own and reveals itself. It's the point of no return and I have no choice but to paint it.