15 de agosto de 2015

VIKTOR MAZHLEKOV - PINTURA - BULGÁRIA

 

 
 
Viktor Mazhlekov is a contemporary artist born in 1979 in Bulgaria. His unusual style, which he calls astral postrealism, has evolved with its uncommon atmosphere, forms, and colours. The artist uses a unique painting technique, which is extremely time-consuming, so usually just a few paintings can be made per year. His art is popular all over the world, and his artworks are kept in many private collections. To the moment, Viktor has had 7 personal exhibitions around Europe.
 



I like to experiment with oil paints, and I do use different techniques to lay the paint on canvas. I do my paintings using many layers, thus trying to achieve the effects of depth, density and colour playfulness. On the other hand this prolongs the period of creating an oil painting, which often takes more than a month.
 
Bright faraway
(PORTAL 4)
Oil on canvas, Five layers  Oil paints: Talens “Rembrandt”  “Leningrad”
2012, Plovdiv, BulgariaSize – 100×80 cm


 
Agomo
(PORTAL 10)
 Oil on canvas, Five layers  Oil paints: Talens “Rembrandt” “Leningrad”
2012, Plovdiv, Bulgaria   Size – 80×65 cm



Portal keeper
(PORTAL 1)
Oil on canvas, Five layers  Oil paints: Talens “Rembrandt” , “Leningrad”
2011, Plovdiv, Bulgaria  Size – 65×80 cm


 
 
Energyplifizer
(PORTAL 11)
Oil on canvas, Five layers  Oil paints: Talens “Rembrandt” , “Leningrad”
2011, Plovdiv, Bulgari  Size – 65×80 cm
 





Awaiting for a change
(PORTAL 13)
Oil on canvas, Five layers
Oil paints: Talens “Rembrandt” , “Leningrad”
2011, Plovdiv, Bulgaria  Size – 100×80 cm
 
 
 
 
The cocoons
Oil on canvas   2009, Asenovetc, Bulgaria  Size – 75х90 cm
 
 
 
Orange silence
Oil on canvas  2009, Asenovetc, Bulgaria   Size – 75х90 cm




 Home on the hill
Oil on canvas  2009, Asenovetc, Bulgaria  Size – 90х75 cm




Toys
(PORTAL 6)
Oil on canvas, Five layers   Oil paints: Talens “Rembrandt” , “Leningrad”
2012, Plovdiv, Bulgaria  Size – 65×80 cm


 
hey-ho city
 
 
moly on the run
 
 
torment 5
 
 
uabadaba
 
 

Portals

The Animated film “Portals“ tells us a story about birth of a Soul and her self discovery journey. During the journey, She goes through many worlds and undergoes many metamorphoses. Gone a long way and thousands of transformations the Soul reaches Her endpoint, only to realize that new circle from the evolution spiral awaits Her, that She was not alone, either for a second, because She is a particle from – God
https://vimeo.com/110220955
 
“Portals”
a short animated film
visual concept & idea: Viktor Mazhlekov
directed & written by Simeon Sokerov
animation: Studio Sokerov / produced by Chaos Group
music by: Doncho Genov & Anelia Pavlova / final song -Hap-Hej by DVA – Jan Kratochvil and Barbora Kratochvilova
script doctor: Radoslav Kamburov
modeling, textures & shading: Danail Nikov, Simeon Sokerov, Radosvet Mihtarski, Viktor Mazhlekov
animation: Vesselin Kushev
technical directors: Blagoy Kostov, Simeon Sokerov
compositing: Simeon Sokerov, Blagoy Kostov
 
 
 
 
 
 
 
 
 
 
 
 
Do you know, that: Astral postrealism is an artistic style the gravity field of which is the study of emotions and perceptions. The leading idea of this trend is not that much the ability for intellectual understanding and rationalizing of matters as the talent to feel things deeply and integrate them into authentic mental universes. The style gains distinction with its bright palette of colours and rich expressiveness of details. They all contribute to the building of composition made of forms beyond the actual existence; forms which tear apart all limits of our long-established ideas and take us on a journey to the kingdom of original purity. There, eliminating all conventionalities, it reveals to us different physical laws, unusual perspectives and a sense of visual diving into the subconscious. The impact of the astral postrealism is magnetic and fancy. It merges dreams with reality. It unlocks the various powers of creativity, provokes them to explore unknown emotional depths and unleashes the imagination to make it simple and pure as that of a child :)








 
 



15 de julho de 2015

DIANA MOTTA - PINTURA - BRASIL


Diana Motta (São Paulo, 1985) tem na pintura a principal linguagem de sua produção plástica, mas esta pode se manifestar por outros meios, como o vídeo, o desenho, a fotografia, a colagem e o objeto. Principais exposições individuais: “Passagens”, MuBE, São Paulo, SP, 2014; “Sobre O Segredo”, Galeria Antônio Sibasolly, Anápolis, GO, 2014. Principais exposições coletivas: Sauna Mixta - Desapê / Residência Capacete, São Paulo, SP (2016); 47° Salão de Arte Contempôranea de Piracicaba, SP (2015); 23º Salão Curitibano de Artes Visuais, Curitiba, PR (2014); VII Salão de Artes Plásticas de São José do Rio Preto, SP (2014); IV Salão SINAP (CIA das Artes), São Paulo, SP (2014); 20 Salão de Artes Plásticas de Praia Grande, SP (2013). Prêmios: Melhor Obra do Salão IV Salão Internacional de Artes Plásticas SINAP/AIAP, São Paulo, SP, 2014.


Abertura: 20 de outubro
Em cartaz até 19 de novembro

A próxima edição do projeto Zip’Up abriga a individual “And listen to the wind blow”, da paulistana Diana Motta. Na exposição, a artista exibe trabalhos que manifestam como a abordagem pictórica orienta sua produção visual, em pinturas com motivos femininos e referências ao universo pop. Mesmo o vídeo e a colagem inseridos na mostra têm como ponto de partida a pintura. A curadoria é de Mario Gioia, que também coordena o Zip’Up.

Nos trabalhos figurativos, a artista investiga a pertinência do autorretrato em tempos de selfies, em que a autoimagem e sua veiculação exaustiva por redes de diversos âmbitos dão a esse tipo de fotografia um novo status. Já nos abstratos, em que Diana experimenta grandes formatos que misturam tinta à óleo e spray sobre tela, as transparências de diversas matizes no campo pictórico provocam uma ideia de imersão. “Penso nas telas grandes com um cenário, um lugar para se entrar”, afirma.

Serviço
Exposição: “And listen to the wind blow”
Abertura: 20 de outubro, às 19h
Visitação: até 19 de novembro de 2016
R. Estados Unidos 1494, Jardim América – Tel. (11) 4306-4306
Segunda a sexta, 10h/19h; sábado, 11h/17h













“Eta Virginis” óleo sobre tela 60 x 50 cm Diana Motta 2015


Eta Virginis” óleo sobre tela 60 x 50 cm Diana Motta 2015


‘Gamma Draconis” óleo sobre tela 60 x 50 cm Diana Motta 2015


“Electra” tinta a óleo e spray sobre tela 120 x 100 cm Diana Motta 2015


17 Tauri” tinta a óleo e spray sobre tela 120 x 100 cm Diana Motta 2015


‘Mãmi” tinta a óleo e spray sobre tela 40 x 30 cm Diana Motta 2015




Ilha’
óleo sobre tela  100x180 cm  2015
Natureza Selvagem “Flores da Bahia”
óleo sobre tela  80 x 60 cm 2014
‘Festa na Árvore’
pencil on paper 80 x 100cm 2014
Vale Nevado
collage 22 x 36 cm 2013


Capadócia
collage 18 x 22 cm 2013



Motanhas de Pedra
collage 80 x 100 cm  2013


Montanhas de Neve
paper, aluminum on paper 70 x 90 cm 2013



Vale Encantado
collage 80 x 100 cm 2013



Fetiche Felino
collage  36 x 42 cm 2013



Coqueiros
collage 40 x 60 cm 2103



Holograma
oil on canvas 2013


Boca - oil on canvas 80 x 120 cm 2013



Cherry Creek Ave.’
oil on canvas 60x60 cm 2013



Restriction’ - 2012
oil on canvas 30x30cm


You Can’t See Me” - 2012
oil on canvas 30x30 cm

GENESIS
“When the world was created man was created by the end of the process. All the animals were created first. In the story of Genesis when man was created all the animals in the fields feared man, and the reason they feared man is because of the amount of light that was shining and emanating from him. But something happened. The moment that Adam ate from the Tree of Knowledge Good and Bad the world turned around. Instead of the animals fearing man, man is now fearing animals. How could it possibly be? What changed over night?  The story of creation, the Tree Of Knowledge Good and Bad and the Tree of Life, represent two types of awareness. The awareness of the flawless universe, the awareness of mind over matter, the awareness of the Light versus the Tree of knowledge Good and Bad awareness of the roller coaster: one day is good one day is bad, I’m constantly reactive of what goes around me (…) What happened to Adam in the Garden of Eden is that he chose to leave the Tree of Life that had tranquility and peace. And you ask yourself why it’s even possible. But you know that the highest rate of divorce is in perfect marriages? Tranquility kills us. It’s too boring? Is it too obvious? Yes. So we run to the world of stimulation, of grabbing, taking, insecurity, ups and downs.
The moment we make this choice the world is reversed and instead of us being in control of the animals of the field, of reality - the other way around - they are controlling us. The nature of the animal kingdom is to fear, is to awe, is to appreciate the light that man brought in to the world. Why? because man is the only creature that has the free choice, the ability to control, the ability to choose it’s destiny.
The world came into place that a person is afraid of a mosquito.”
- Ruth Rosenberg explaining the Zohar



If  There An Angel Over Her, An Interpreter” - 2012
oil on canvas 60x72cm


ideiasderua0@gmail.com